Achebe has died at the age of 82. Here we celebrate his life with portraits and quotations from his work
“The white man is very clever. He came quietly and peaceably with his religion. We were amused at his foolishness and allowed him to stay. Now he has won our brothers, and our clan can no longer act like one. He has put a knife on the things that held us together and we have fallen apart.”
From Things Fall Apart (1958)
Chinua Achebe at home near Lagos in 1966
'We cannot trample upon the humanity of others without devaluing our own. The Igbo, always practical, put it concretely in their proverb Onye ji onye n'ani ji onwe ya: "He who will hold another down in the mud must stay in the mud to keep him down".'
From The Education of a British-Protected Child (2010)
'We cannot trample upon the humanity of others without devaluing our own. The Igbo, always practical, put it concretely in their proverb Onye ji onye n'ani ji onwe ya: "He who will hold another down in the mud must stay in the mud to keep him down".'
From The Education of a British-Protected Child (2010)
Chinua Achebe in 1967
'The triumph of the written word is often attained when the writer achieves union and trust with the reader, who then becomes ready to be drawn into unfamiliar territory, walking in borrowed literary shoes so to speak, toward a deeper understanding of self or society, or of foreign peoples, cultures, and situations.' From There Was A Country (2012)
'The triumph of the written word is often attained when the writer achieves union and trust with the reader, who then becomes ready to be drawn into unfamiliar territory, walking in borrowed literary shoes so to speak, toward a deeper understanding of self or society, or of foreign peoples, cultures, and situations.' From There Was A Country (2012)
Chinua Achebe in 1999, outside his home at Ogidi in eastern Nigeria
'As a rule I don't like suffering to no purpose. Suffering should be creative, should give birth to something good and lovely.'
From A Man of the People (1966)
'As a rule I don't like suffering to no purpose. Suffering should be creative, should give birth to something good and lovely.'
From A Man of the People (1966)
Chinua Achebe (left) at the University of Cape Town in 2002, with Nelson Mandela
'Africa as setting and backdrop, which eliminates the African as human factor. Africa as a metaphysical battlefield devoid of all recognisable humanity, into which the wandering European enters at his peril. Can nobody see the preposterous and perverse arrogance in thus reducing Africa to the role of props for the break-up of one petty European mind?'
Speaking to Caryl Phillips in 2003
'Africa as setting and backdrop, which eliminates the African as human factor. Africa as a metaphysical battlefield devoid of all recognisable humanity, into which the wandering European enters at his peril. Can nobody see the preposterous and perverse arrogance in thus reducing Africa to the role of props for the break-up of one petty European mind?'
Speaking to Caryl Phillips in 2003
Chinua Achebe preparing to receive the German Booksellers Peace prize in 2002
'Jonathan Iwegbu counted himself extraordinarily lucky. "Happy survival!" meant so much more to him than just a current fashion of greeting old friends in the first hazy days of peace. It went deep to his heart. He had come out of the war with five inestimable blessings – his head, his wife Maria's head, and the heads of three out of four of their children. As a bonus he also had his old bicycle – a miracle too but naturally not to be compared to the safety of five human heads.'
From the short story A Civil Peace (1971)
'Jonathan Iwegbu counted himself extraordinarily lucky. "Happy survival!" meant so much more to him than just a current fashion of greeting old friends in the first hazy days of peace. It went deep to his heart. He had come out of the war with five inestimable blessings – his head, his wife Maria's head, and the heads of three out of four of their children. As a bonus he also had his old bicycle – a miracle too but naturally not to be compared to the safety of five human heads.'
From the short story A Civil Peace (1971)
Chinua Achebe in 2002
'You cannot plant greatness as you plant yams or maize. Who ever planted an iroko tree – the greatest tree in the forest? You may collect all the iroko seeds in the world, open the soil and put them there. It will be in vain. The great tree chooses where to grow and we find it there, so it is with the greatness in men.'
From No Longer at Ease (1960)
'You cannot plant greatness as you plant yams or maize. Who ever planted an iroko tree – the greatest tree in the forest? You may collect all the iroko seeds in the world, open the soil and put them there. It will be in vain. The great tree chooses where to grow and we find it there, so it is with the greatness in men.'
From No Longer at Ease (1960)
Chinua Achebe in 2007
“It is only the story ... that saves our progeny from blundering like blind beggars into the spikes of the cactus fence. The story is our escort; without it, we are blind. Does the blind man own his escort? No, neither do we the story; rather, it is the story that owns us.”
From Anthills of the Savannah (1987)
“It is only the story ... that saves our progeny from blundering like blind beggars into the spikes of the cactus fence. The story is our escort; without it, we are blind. Does the blind man own his escort? No, neither do we the story; rather, it is the story that owns us.”
From Anthills of the Savannah (1987)
Chinua Achebe in 2008
'Privilege, you see, is one of the great adversaries of the imagination; it spreads a thick layer of adipose tissue over our sensitivity.'
From Hopes and Impediments (1988)
'Privilege, you see, is one of the great adversaries of the imagination; it spreads a thick layer of adipose tissue over our sensitivity.'
From Hopes and Impediments (1988)
Chinua Achebe in 2010
'The impatient idealist says: "Give me a place to stand and I shall move the earth." But such a place does not exist. We all have to stand on the earth itself and go with her at her pace.'
From No Longer at Ease (1960)
'The impatient idealist says: "Give me a place to stand and I shall move the earth." But such a place does not exist. We all have to stand on the earth itself and go with her at her pace.'
From No Longer at Ease (1960)
Source: http://www.guardian.co.uk
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